
Weekend in Taipei (2024)
Let’s admit it: the decade is positively lousy with thrillers promising you the world—exotic cities full of neon menace, chase scenes that squeal across your eardrums, a hero whose jaw is clenched so tight you’re dying for a punchline. I came to “Weekend in Taipei” burdened with the memory of a hundred similar action diversions, armor already up, braced for kinetic tourism and the odd (perhaps unintentional) laugh. And what do you know? George Huang’s high-velocity tryst with Luc Besson not only left my armor in the dust—it made me care, and worse, it made me happy.