A Sexy Blog

Argo isn’t merely a tense, glossy recounting of a CIA caper, it’s Hollywood’s sneakiest sleight-of-hand on itself, a canny distillation of the movies' perpetual promise and perennial absurdity. I went into Affleck’s film without foreknowledge, as untutored as the embassy staffers in their makeshift hideout, and the result was a giddy, queasy experience, poised on a knife-edge between farce and terror. “Based on a true story,” it insists, an audacious phrase in this context, considering what follows.

Takeshi Kitano, the maestro of Japanese crime dramas, returns with "Beyond Outrage," the sequel to his 2010 film "Outrage." Freshly premiered and still steaming from the kitchen of cinematic excellence, this film doesn't just unfold; it splatters the political intricacies of yakuza life across the screen with artistic flair. It's a tale entangled in betrayal and revenge, delivered with the subtlety of a sledgehammer and the grace of a samurai katana. These themes dance tautly on the edge of gritty realism and poetic justice, painting a world where life's twilight can mirror the bleakest noir landscapes.

Diving headfirst into "Nameless Gangster: Rules of the Time" (2012), I felt a wave of excitement wash over me. Here was a seemingly promising Korean gangster film, directed by Yoon Jong-bin and starring Choi Min-sik and Ha Jung-woo.