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Given Snyder's reputation for visually striking films, I approached Rebel Moon with a mixture of curiosity and guarded optimism. After all, how could a film featuring a dying planet and a band of rebels not deliver some level of excitement? Spoiler alert: it crashes and burns rather spectacularly.
“Life” is the kind of film that takes you on a gripping interstellar journey while simultaneously gripping your popcorn with tension. Directed by Daniel Espinosa, this thrilling sci-fi horror flick from 2017 sprinkles just the right amount of suspense with science fiction.
As I prepared to watch Alien: Romulus, I felt a blend of anticipation and skepticism. I was ready to embrace a film that, while aiming to entertain, might not reach the iconic heights of its predecessors in the franchise. It’s clear that Alien: Romulus isn't a bad film, but it also doesn’t quite stand out among the earlier entries.
Frank Herbert’s “Dune” is the Mount Everest of science fiction, looming, treacherous, irresistible to climbers. Its reputation has become its curse. With each attempt to bring Herbert’s syncretic, sand-blasted cosmos to the screen, we glimpse the mirage on the horizon, the masterpiece peeking through the haze, while filmmakers crawl toward it, parched, hallucinating grandeur but often finding only the plastic taste of compromise on their tongues.
What a joyless, magnificent mess of unintended comedy this is, a late-period fever dream so overloaded with Significance and “cinematic history” that it’s hard to know if Francis Ford Coppola’s Megalopolis comes to us as a time capsule from the future of movies, or as the smoldering effluence of Hollywood’s oldest, dearest delusions.