A spicy corner of the web where movie critiques, music rants, and sharp takes collide.
Twilight of the Warrior: Walled In is not your typical Hong Kong triad movie; instead, it showcases the region’s storytelling prowess at its finest.
"Legacy of Lies," starring the ever-charismatic Scott Adkins, attempts to serve up a plate of action fare that feels as if it was left out in the sun a bit too long.
Boxer (2024) doesn’t just land punches - it goes the full twelve rounds, leaving you actually glad you sat through a sports movie.
Despite the mixed reviews circulating online, I couldn't ignore the allure of “Criminal.” Critics have noted a disjointed plot and uneven character development, with some expressing disappointment in how the film utilizes its talented cast.
If there were a movie iceberg, this film would be the tip of a navigational hazard, barely visible above the surface while the bulk lurks deep below—filled with clichés, awkward dialogue, and action that makes you question if the director thought it was possible to film a spy movie without any visible budget. But hey, at least Kate Beckinsale got a chance to polish her "I'm a badass" aesthetic, right?
Watching "You're Killing Me," directed by Beth Hanna and Jerren Lauder, I found myself drawn into a modern horror thriller that attempts to grapple with themes of privilege, morality, and the consequences of one’s actions.
Scott Adkins once again graces the screen in Take Cover, a film that combines action, humor, and a sprinkle of philosophical musings—all while reminding us that sometimes it’s just as important to sit and think as it is to kick butt.
"Ben-Hur," directed by Timur Bekmambetov, is a vibrant reimagining of the classic story that has captivated audiences for generations. While it may not quite reach the legendary heights of some of its predecessors, this 2016 adaptation offers a compelling experience filled with stunning visuals and thrilling moments.
"The Silent Hour," directed by Brad Anderson, sees Joel Kinnaman taking on another challenging role that explores disability, following his turn in last year's "Silent Night," where he portrayed a character who lost his voice.
The 2002 adaptation of "The Count of Monte Cristo," directed by Kevin Reynolds, offers a compelling interpretation of Alexandre Dumas's classic tale.