A Sexy Blog

With a name that conjures visions of green-skinned witches and spellbinding showtunes, I walked into the theater for "Wicked" with soaring expectations. Directed by the brilliant Jon M. Chu and anchored by powerhouse performances from Cynthia Erivo as Elphaba and Ariana Grande as Glinda, this film adaptation of the beloved Broadway musical promised a captivating experience.

While I am not a huge fan of creature features, I approached "Meg 2: The Trench" with a blend of anticipation and caution. The first installment, "The Meg" (2018), perfectly balanced exhilarating action with a touch of self-aware humor. Directed by Ben Wheatley and featuring a capable ensemble led by Jason Statham, "Meg 2" aimed to plunge back into the depths of its prehistoric world.

Uberto Pasolini’s The Return brings a sumptuous and contemplative interpretation of the final chapters of Homer’s Odyssey. Starred by the incredible Ralph Fiennes as Odysseus and the mesmerizing Juliette Binoche as Penelope, this film walks the line between myth and human emotion, delivering a story that resonates deeply. As I settled down to watch this retelling, my anticipation was palpable, especially given the accomplished cast and the rich thematic foundation. What unfolds is a journey that, while artistically rich, carries both tremendous highs and noticeable pitfalls.

As I settled in to watch Small Things Like These, I was ready to be enveloped in a poignant narrative set against the backdrop of 1980s Ireland. The film’s premise, delving into the deeply troubling history of the Magdalene Laundries, along with a stellar cast led by the immensely talented Cillian Murphy, had me eager for an emotionally resonant experience.

I began to wonder if I had inadvertently selected a dull guilty pleasure disguised as a serious exploration of societal themes as the film moved from one sleazy party scene to the next. What unfolded was, unfortunately, a mediocre experience filled with endless sexual encounters that overshadowed any glimmer of genuine storytelling.

Since Ridley Scott's original Gladiator took the world by storm in 2000, my expectations for the sequel, Gladiator II (2024), have oscillated between cautious optimism and deep skepticism. As someone who holds the first film in high esteem, there was a blend of excitement and anxiety leading up to this cinematic reunion. Would it sift through the sands of time to emerge victorious, or would it become a forgotten footnote?

It’s What’s Inside, the 2024 cinematic cornerstone (or pitfall) brought to you by the innovative Greg Jardin. With a cast that reads like a “who’s who” of talented up-and-comers—Brittany O’Grady, Gavin Leatherwood, and a few others I may forget as soon as the credits roll—you might think I was in for a treat.

Unfortunately, while I sat to watch with a sliver of hope for a nail-biting adventure—perhaps with a clever twist or two—I quickly learned that this film wouldn't be swimming with the greats. Instead, I found myself floundering through a plot filled with superficial characters and a story threadbare enough to leave many unanswered questions in its wake.

Dominique—the film that initially felt like it was going to be a bit of a struggle, but ultimately delivered a surprising punch. Directed by a team eager to deliver a compelling story, this film stars Oksana Orlan as the intriguingly complex assassin.

"Wake Up," directed by the trio of François Simard, Anouk Whissell, and Yoann-Karl Whissell, attempts to cram slasher horror, a dash of social commentary, and the spirit of eco-activism into a single flat-pack of mediocrity.