A Sexy Blog

Night of Horror (1981)—the cinematic equivalent of finding out your favorite ice cream has been replaced with broccoli-flavored sorbet. After I ranted on Discord about how Armor was the worst film of 2024, a mod challenged me to watch this so-bad-it's-comical flick, insisting it would make Armor look like an Oscar contender.

I walked into Armor, the latest installment of cinematic disappointment directed by Justin Routt and featuring the legendary (though increasingly puzzling) Sylvester Stallone, with expectations that were perhaps too generous.

As I settled in to watch "Heretic," I was filled with anticipation, not just for the film’s engaging premise, but also to witness Hugh Grant’s intriguing transformation from a beloved romantic lead to a masterful villain. It’s akin to watching your charming neighbor become the most sinister character in a psychological horror story.

As an avid enthusiast of the spy genre, I knew I needed to fully commit to Tinker Tailor Soldier Spy, directed by Tomas Alfredson and based on John le Carré's celebrated novel. I had put it off for far too long, but when I finally settled into my seat on a three-hour flight, I realized that it was the best decision ever.

While I am not a huge fan of creature features, I approached "Meg 2: The Trench" with a blend of anticipation and caution. The first installment, "The Meg" (2018), perfectly balanced exhilarating action with a touch of self-aware humor. Directed by Ben Wheatley and featuring a capable ensemble led by Jason Statham, "Meg 2" aimed to plunge back into the depths of its prehistoric world.

I went into "Largo Winch: The Price of Money" anticipating it would be a disaster, especially considering how lousy Largo Winch II was. However, I found myself fueled by curiosity and a hint of skepticism, secretly hoping it wouldn’t be as bad as I feared.

Largo Winch 2, the sequel that dared to follow in the footsteps of the moderately successful first installment, Largo Winch - The Heir Apparent. Directed by Jérôme Salle and starring Tomer Sisley and the ever-so-struggling Sharon Stone, this film attempted to realign itself within the action-thriller genre, but it quickly became an exercise in cinematic masochism instead.

As I settled in to watch The Heir Apparent: Largo Winch, I felt a mix of anticipation and curiosity about this adaptation of the Belgian comic series. Directed by Jérôme Salle and featuring a talented cast led by Tomer Sisley, Mélanie Thierry, and Kristin Scott Thomas, I was eager to dive into this action thriller promising a blend of corporate intrigue and personal discovery. While I had seen a range of reviews suggesting mediocrity, I couldn’t shake the feeling that there was an engaging adventure lurking just beneath the surface.

Uberto Pasolini’s The Return brings a sumptuous and contemplative interpretation of the final chapters of Homer’s Odyssey. Starred by the incredible Ralph Fiennes as Odysseus and the mesmerizing Juliette Binoche as Penelope, this film walks the line between myth and human emotion, delivering a story that resonates deeply. As I settled down to watch this retelling, my anticipation was palpable, especially given the accomplished cast and the rich thematic foundation. What unfolds is a journey that, while artistically rich, carries both tremendous highs and noticeable pitfalls.

As I settled in to watch Small Things Like These, I was ready to be enveloped in a poignant narrative set against the backdrop of 1980s Ireland. The film’s premise, delving into the deeply troubling history of the Magdalene Laundries, along with a stellar cast led by the immensely talented Cillian Murphy, had me eager for an emotionally resonant experience.