Movies

The Amateur, directed by James Hawes and released by 20th Century Studios in April 2025, is an American action thriller that aims to meld cerebral espionage with visceral, globe-trotting revenge drama. Based on Robert Littell's 1981 novel, the film reinvents a Cold War-era narrative with contemporary spin, casting CIA cryptographer Charlie Heller, portrayed by Rami Malek, into a relentless personal vendetta after his wife is killed in a terrorist attack. Though structurally rooted in familiar spy thriller conventions, The Amateur seeks to differentiate itself through its protagonist’s unorthodox skill set and internal conflicts, instigating promise but ultimately garnering mixed critical reception.

Diablo, the 2025 action thriller helmed by Ernesto Díaz Espinoza, arrives with an enticing promise: a face-off between two heavy hitters of the martial arts world, Scott Adkins and Marko Zaror. This film grapples with themes of vengeance, crime, and chaos, aiming to ignite adrenaline-fueled excitement. Yet, despite the allure of its title and talent, Diablo stumbles into a cinematic purgatory where the fire of action flicks is tragically reduced to smoldering embers.

Another Simple Favor, the 2025 sequel to the 2018 black comedy mystery A Simple Favor, resurfaces under the direction of Paul Feig. This follow-up plunges viewers back into a sumptuous world of cunning women, crisscrossing loyalties, and a labyrinthine plot swirling with crime, family secrets, and bizarre twists. With themes of deception, identity, and the shadowy interplay between friendship and betrayal, the film carries forward the vibrant yet convoluted spirit that characterized its predecessor, promising audiences a much-needed cocktail of style and suspense.

The Accountant 2, released in 2025 and directed by Gavin O’Connor, arrived with high expectations as a follow-up to the cult-favorite 2016 thriller The Accountant. Continuing the unconventional story of Christian Wolff, an autistic accountant moonlighting as a lethal operator for criminal enterprises, this sequel tries to expand the universe by delving into human trafficking and government conspiracies. The Accountant 2 aims to blend intense action with layered mystery and emotional stakes. However, despite a promising premise and returning cast, the film struggles to recapture the tone and complexity that made its predecessor distinct, instead veering into inconsistent genre-mixing and diminished character depth.

A Minecraft Movie (2025), directed by Jared Hess, serves as a fantasy adventure comedy adapted from the immensely popular video game, Minecraft, developed by Mojang Studios. Starring Jason Momoa, Jack Black, Danielle Brooks, Emma Myers, and Jennifer Coolidge, this film navigates the challenges and auditory ambiance of the blocky landscape many gamers have come to know and love. While the visuals may entice the young audience and dedicated fans alike, the execution of its narrative strategy falls critically short.

Fight or Flight, an action comedy directed by James Madigan, emerges as a hyper-energetic and often chaotic exploration of adrenaline-fueled mayhem set within the confined space of a commercial airplane. The film’s promise lies in its blending of high-octane action sequences, comedic overtones, and a disjointed narrative that seeks to balance winks and nudges with outright spectacle. While it strives for a tongue-in-cheek tone reminiscent of hyper-stylized fare like Bullet Train, Fight or Flight ultimately trades nuanced intrigue for a visceral, gore-heavy romp that rewards viewers leaning into its deliberately silly, over-the-top approach.

Rust, a 2024 American Western directed and written by Joel Souza, emerges amidst a backdrop of profound tragedy that irrevocably intertwines with its release. The film’s narrative ostensibly seeks to evoke the classic American Western genre, blending elements of coming-of-age and raw frontier justice with motifs of innocence lost and moral ambiguity. Despite its picturesque Western visuals and ambitions to revisit traditional themes with a modern perspective, Rust inadvertently becomes a cultural focal point not solely for its cinematic qualities but also for the tragic circumstances surrounding its production. The film’s release thus carries a weight beyond its artistic intent, compelling viewers and critics to confront both its aesthetic merits and its haunting real-world aftermath.

Companion (2025), directed by Drew Hancock, emerges as a compelling addition to the science fiction thriller genre with notable elements of horror comedy woven into its narrative fabric. The film explores provocative themes such as artificial intelligence, autonomy, and human morality within a tense, isolated setting that amplifies its psychological intensity. Its premise—centering on a weekend getaway catalyzing chaos after revelations about a companion robot—promises a blend of suspense, dark humor, and moral dilemma, positioning it as an intriguing, if imperfect, cinematic experience. The film's tone oscillates between visceral horror and satirical commentary, inviting viewers into a domain where technology's encroachment intersects with human fragility.

Warfare (2025), directed by Ray Mendoza and Alex Garland, offers a uniquely raw and immersive perspective on modern combat, capturing the chaos and intensity of a Navy SEAL recon mission in Ramadi. The film’s commitment to realism, combined with its groundbreaking sound design—completely devoid of a traditional musical score—creates an atmosphere that feels both visceral and genuine. This movie stands as a powerful testament to the grittiness of war, emphasizing not just the violence but also the psychological toll on soldiers. Its unflinching portrayal invites viewers to reconsider the true cost of conflict, making it both an eye-opening and emotionally resonant experience.

G20, directed by Patricia Riggen and made available on Amazon Prime Video, attempts to weave an action-thriller narrative around a G20 summit in South Africa. Featuring Viola Davis as President Danielle Sutton, the film sought to engage viewers with themes of political tension, global economics, and the intersections of leadership under threat. I approached the film with anticipation, fueled by my admiration for Davis from her roles in How to Get Away with Murder and The Woman King. Unfortunately, as the credits rolled, I found myself grappling with profound disappointment as G20 tumbled into absurdity, failing to deliver on its ambitious premise.