Movies

As someone who typically gravitates toward different genres, I was pleasantly surprised to find myself enjoying "Frankie Freako," directed by Steven Kostanski.

As I prepared to watch "Megalopolis," I felt a surge of anticipation, hoping for a return to form from Francis Ford Coppola. Given his illustrious career, marked by classics like "The Godfather" and "Apocalypse Now," expectations were high.

In "The Beekeeper," Jason Statham stars as Adam Clay, a retired tech operative turned beekeeper. His life takes a dark turn when his kind-hearted landlady, Eloise Parker, falls prey to a devastating phishing scam, leading to her financial ruin and eventual suicide.

where do I even begin with this cinematic adventure? Picture this: a movie that claims to be an action thriller but ends up feeling like a list of every bad spy cliché ever written—on a napkin.

As a huge fan of the original "The Crow," I approached the 2024 remake with mixed feelings. Brandon Lee's performance profoundly impacted me, and the tragic circumstances of his death during filming only added to the film's mystique and emotional weight. With high hopes for Bill Skarsgård, who I genuinely enjoy as an actor, I was eager to see his take on Eric Draven. However, I quickly found myself disappointed.

So, I thought I’d check out "Cash Out," and wow, what a delightful surprise—if by "delightful surprise," I’m referring to yet another uninspired and completely unoriginal action film.

Twilight of the Warrior: Walled In is not your typical Hong Kong triad movie; instead, it showcases the region’s storytelling prowess at its finest.

Boxer (2024) doesn’t just land punches - it goes the full twelve rounds, leaving you actually glad you sat through a sports movie.

If there were a movie iceberg, this film would be the tip of a navigational hazard, barely visible above the surface while the bulk lurks deep below—filled with clichés, awkward dialogue, and action that makes you question if the director thought it was possible to film a spy movie without any visible budget. But hey, at least Kate Beckinsale got a chance to polish her "I'm a badass" aesthetic, right?

Scott Adkins once again graces the screen in Take Cover, a film that combines action, humor, and a sprinkle of philosophical musings—all while reminding us that sometimes it’s just as important to sit and think as it is to kick butt.