Mehnificent

There’s a particular genre of moviegoing now, call it Franchise Bereavement, where, sitting eyes glazed before the flickering remnants of a once-vital series, you feel less the thrill of pulp than the mournful exhumation of directorial intention, a séance with the ghost of what you thought the movies could be. Ballerina, advertised as “From the World of John Wick,” is less a spin-off than a séance, summoning the spirit of Keanu’s elegiac carnage into a low-lit mausoleum of hurried excess and retrofitted backstory. If its audience’s expectations are sufficiently modest, second-tier shootouts for the matinee crowd, wickless but still faintly smoldering, perhaps it delivers. But in the clear light, you see the grout, and the cracks: this is franchise hand-me-down, draped hastily around Ana de Armas like a borrowed cloak she’s expected to dignify.

In a landscape filled with espionage thrillers, Black Bag ventures into the murky waters of betrayal and intrigue, directed by the esteemed Steven Soderbergh and penned by David Koepp. The film, released on March 12, 2025, in France and shortly thereafter in the United States, stars a lineup of talent including Cate Blanchett, Michael Fassbender, and Pierce Brosnan, all attempting to weave a narrative centered on a top-secret software leak and the moral quandaries that follow. Yet, despite the film's enticing premise, the final product lands solidly in the "good, not great" category. It reveals the frustrating reality of a story with remarkable potential, yet ultimately squandered by poor pacing and underdeveloped characters.

Takeshi Kitano, the renowned maestro of cinema, presents "Broken Rage," a 2024 Japanese action comedy with a peculiarly inventive twist. Released on what seems to be a mission to unsettle and intrigue, the film deftly combines the dire seriousness of an aging hitman's final, life-defining ultimatum with the zany unpredictability of slapstick comedy. Kitano, wearing multiple hats as writer, director, and leading man, transforms this narrative into an experiment that defiantly resists conventional genre boundaries. It's a venture as peculiar as it is daring, illuminating Kitano's vision of storytelling that transcends the mundane.

Boy Kills World certainly sounds impressive, doesn’t it? And by impressive, I mean that it’s a movie which thoughtfully invites viewers to join Boy, who apparently possesses more emotional baggage than a budget airline on a holiday weekend. The movie centers around a deaf-mute martial artist seeking vengeance against a family with all the subtlety of a Tuesday morning alarm.

"Ben-Hur," directed by Timur Bekmambetov, is a vibrant reimagining of the classic story that has captivated audiences for generations. While it may not quite reach the legendary heights of some of its predecessors, this 2016 adaptation offers a compelling experience filled with stunning visuals and thrilling moments.